I hear these words from authors all too often:
“I’ve got 30,000 words written already, but I still need to figure out the structure/voice/audience.”
“I’ve tried writing this book three times, but I need help.”
“I wrote this manuscript, but I know it’s a mess.”
There’s one persistent myth in the world of writing that I believe has hurt aspiring book authors more than any other, and it’s the belief that you should “just start writing” your book. It’s the impression that authors open up a blank word document, type the words “Introduction” or “Chapter 1,” and they’re off to the races. It’s the attempt to write a book the way a printer prints a document: starting at the top and working its way down the page.
What so many authors learn after trying it this way—often getting very frustrated as they go—is it doesn’t work. At some point, they get stuck. They might know generally where they want to end up, but they have absolutely no idea how to get there. They feel like they’re hitting a wall, and the infamous “writer’s block” rears its head. They’re not sure how to move forward. The cursor sits there, blinking…
Worse still, they’re not happy with what they’ve written! They plow forward with as much zeal and energy as they can for a while, but when they look back at the fruit of their efforts, they’re disappointed. It felt beautiful and brilliant and spontaneous while they were going, creativity pouring out of them, but when they read it again with fresh eyes, they think, “What a load of nonsense!”
Their confidence is shaken. They think:
Maybe I’m not cut out for this?
Maybe this idea is terrible?
Maybe it’s better if this book doesn’t happen.
I wonder how many of these authors give up altogether. Only the particularly brave and determined stop at that point to ask for help.
It’s normal to feel doubt when you’re writing a book. It’s normal to wonder if the work is worth it. It’s even normal to temporarily lose sight of what you’re trying to accomplish.
But it’s completely unnecessary to feel lost and stuck, not knowing where to go next. Writing a book is hard enough; we only make it harder on ourselves when we try to blaze a trail through the wilderness without a map to guide us.
You need a plan.
There are two typical ways writers approach writing a book: "pantsing" it (making it up as you go, writing by the seat of your pants, so to speak), and planning. Pantsing often feels more fun and rewarding. It sounds like what we imagine great writers must do: sit down at the typewriter and bleed, as Ernest Hemingway suggested. But I'm here to tell you it doesn't work. From over a decade of helping authors write books, I can tell you unequivocally that planning is ALWAYS better.
You might have hated outlining when you were in school. I know I did. But after too many times trying to pants my way to a finished college essay or a book manuscript, I finally realized there might be some merit to this whole outlining thing…
The problem was I didn’t know how. I figured that I would start my way at the top—the beginning of the essay or book—and work down, but in bullet points instead of text. Right? Isn’t that what outlines look like?
That didn’t work either, and I’m convinced now that’s why so many people hate outlining.
Everything changed for me when I started asking the big questions about book planning (or article planning, or essay planning):
What am I trying to say?
What’s my argument?
How do I get there?
Where am I starting?
Essentially, I started reverse-engineering my outlines. Instead of starting at the beginning and working my way through, I started at the end, and asked what I needed to do to get to that end. David Perell writes that this is the pixel method of writing: creating a book more like how a computer creates an image, starting with a blurry idea and adding more pixels to refine it through several iterations.
“The best ideas are born blurry.” - David Perell
It makes sense, right? If you’re trying to get to a particular destination, you type it into Google maps, and the app creates a route for you. We need to do the same thing with our books.
The Magic of Book Mapping
Once I released the need to figure out all of the details from beginning to end, I realized I needed a bigger, more flexible way to play with ideas. Enter book maps!
What is a book map? A book map is a visual outline of all of the parts of your book/article/essay. It can be a good old-fashioned vertical outline, hand-written or typed, black and white or colors galore! You can create them with sticky notes on walls or poster boards, whiteboards, a big table, a window, or digital tools—anywhere you have lots of room to throw ideas and then move them around. (I’m not going to lie, working on giant pieces of paper or whiteboards is my favorite part!)
Here are some pictures of different book maps I’ve created with clients (and for myself!) over the years:
We start with figuring out the book’s overall transformation—that is, what is going to change by the end of the book?
Just like when getting a route from Google Maps, there are three parts to every transformation:
Where are we beginning? [What’s the current state?]
Where are we going? [What’s the desired transformation?]
How will we get there? [What needs to happen in between?]
Usually, I have authors brainstorm the answers to these questions and we throw EVERYTHING up on the wall. It’s fun and collaborative. I ask questions as we go, and our idea of the overall transformation becomes clearer over time.
I like to think of this transformation tale as the fences around our yard. The transformation helps us form the boundaries of the book, so we know exactly where it should start and where it should end.
Then it’s time to flesh out that “in between” part into a table of contents, like deciding what the landscaping of the yard will look like. This is where the real magic happens.
We start playing with and organizing all of the ideas we put in the in-between. What organization will make the most sense to our reader? Are some ideas bigger than others? What ideas can we group together? How big are these groups of ideas? What order should we put them in? Where do we need to fill in gaps?
Pretty quickly, chapters begin to form.
It’s an iterative process. We use the Pixel Method to fill in the gaps and make our ideas more precise as we go. Once we know what chapters we need, we talk chapter by chapter to add in hooks, key ideas, and other moments of engagement for the reader throughout each chapter.
A Note About Planning
Just because you come up with a plan doesn't mean that plan can't change. If you think of your plan as the foundation for a house, you have to let it "settle" into the earth - meaning it's going to shift a bit. You're going to realize as you start writing where you need to make some smaller adjustments and level your ideas out. As I often tell my authors, your plan must always be in conversation with your book. They inform each other.
This is completely normal! Your book map is not meant to be a cage for your writing; it's meant to give you helpful boundaries and steer you in the write direction. That's the beauty of making it visual and using a flexible format like sticky notes - because once you start writing, you can easily make those small adjustments to it.
An Invitation
Want to learn more about this process from two experts who have been doing it for years? My partner-in-books Liz Morrow and I are excited to announce the February cohort of the Hungry Authors Map Your Book experience!
In four 90-minute teaching sessions and two live Q&As, we’ll teach you our book mapping process from A to Z - or, er, from current state to transformation, that is! This is the process we use for ourselves and our clients. We’ve also written over a dozen books between us, so we know that it works.
In the online cohort, you’ll receive:
Access to this intimate learning experience (space is limited to 15 people!) so you can learn and grow with other writers
Video lessons and an in-depth custom cohort workbook to walk you through the process
Access to an online library of sample book maps across nonfiction genres and topics (memoir, prescriptive, devotional, business, education, etc.)
Two Q&A sessions where you can pick our brains all you want!
We taught this course for the first time last summer, and we were BLOWN AWAY by the positive feedback we got about it. We’ve been working hard for the last SIX MONTHS to make it even better for you in 2024.
Here’s what past participants had to say about it:
“I was 17K words into writing my first book when I realized I had no idea what I was doing. I stumbled upon the opportunity to beta test the Hungry Authors Book Mapping Course and I am so glad I did. The course takes away the mystery of how books progress from the blank page to finished manuscript. Thank you, Ariel and Liz!” - Pam Brown
“If you are contemplating joining this course, DO IT! You will thank yourself later for making an investment with such exponential payoffs. I came in with a couple of fuzzy book ideas I was struggling to articulate and choose between, and I walked away with my whole book mapped out from beginning to end and even a couple of chapters outlined. I am clear, energized, and ready to get writing!” - Claire Williams
“I made more progress on my book structure in four weeks than I’ve made in a few years by myself. Ariel and Liz are so insightful about seeing structure, and their feedback is priceless. I loved this course.” - Beth Chardack
“With the book mapping course our teachers provided and explained a great tool to find out if your idea works, if you can bring it into realisation and to an end, and finally if you have the structure you have the template you just need to follow to write your book. Thank you, Ariel and Liz, so much!” - Gianna Kay
“Liz and Ariel know how to write, they know how to teach, and they know the publishing business. They don't make you feel like they are keeping industry secrets and they don't act like you are their competition - quite the opposite! They are generous with their knowledge while they support and encourage you to write the book you are meant to write.” - Christina Sachtleben
“After finishing this course, I know I will finish my book because I have a map to follow from the intro, through each chapter, to the conclusion. The process has helped me clarify my Big Idea and I can see where it will keep me on track offering my reader solid, transforming information. I purchased supplies, set up a table in my study, and have allotted a month to the process.” - Susan Cort Johnson
We know the reality is that most aspiring writers don’t finish their books, and it’s because they’re trying to both plan on the fly and do the actual writing. We believe, and we’ve seen with our clients, that you can beat the odds when you create a comprehensive book map so you can start writing with confidence.
Let us show you how.
The cost of this experience is $499, but subscribers to Notes From the Editor can get 25% off by using this direct registration link.
Upcoming Events
In January, I’m leaning into the fresh starts and can’t wait to help writers plan their writing goals, refine their ideas, create a consistent writing habit, and learn from the bestsellers! Here’s where I’ll be:
Tuesday, January 16: Set Your 2024 Writing Goals - the Chattery ($25)
Saturday, January 20: From Idea to Impact - Thriving Educators Summit ($0)
Tuesday, January 23: 5 Keys for More Consistent Writing - ReNEW Writing Retreat ($50)
Tuesday, January 30: Your Bestselling Book Idea - Hungry Authors ($0)
What’s Bringing Me Joy
Last week, a beautiful 5yo girl joined our foster family! We are so delighted to have her and give her safety, consistency, and comfort during a rough time in her young life. We’re highly aware that our blessing involves deep loss - hers and her mama’s. Fostering is inherently bittersweet in that way.
We’re asking for prayers, good vibes, or whatever else you want to send our way as she adjusts and mourns, and as we learn how to be the best caretakers we can be for her right now!
Happy weekend,
Ariel
Yay for book mapping! I highly recommend your book mapping course! It’s so valuable to give writers and plan and roadmap for how to get started.
Fantastic! You’ve got me thinking how I can use this tool as I finish my manuscript. Even though I have a contract i still have some place
I’m not 100% clear about. I’m wondering how I could use book mapping to bring clarity and excellence?